The work
Reflection as choreographic material.
Glass on Glass brings the dancing body into dialogue with reflective surfaces and the camera’s shifting point of view. Image, surface and movement create a screen encounter that could not exist in the same way on stage.
The film is part of Zjana’s wider dance-for-camera practice, where framing, duration and visual composition act as choreographic decisions.
How the image works
Camera framing and reflective glass layer, divide and redirect the moving body, turning optical reflection into an active part of the choreography.
Zjana’s role Dancer and collaborating artist